WeTransfer×碧玉、傑希康達：製品加工

(Björk and Jesse Kanda)

    來自倫敦的視覺藝術家，曾和小枝女孩(FKA Twigs)與阿爾卡(Arca)合作過專輯封面的傑希康達在第一集的'製品加工'(Work In Progress)系列中，與冰島歌姬碧玉(Björk)一起分享了他們創作之間的火花，在錄像的開頭她表示：「在合作裏，我希望一切的連結都是天然、真實的。」

    在兩張專輯'必癒療程(Vulnicura)'及'烏托邦(Utopia)'的合作中，康達將自己從單純的視覺藝術家提升到音樂錄影帶的執導，回到令人難忘的專輯封面上，「取決於觀者的角度，它在美醜之間搖擺不定，而這就是我想做的(藝術)。」

    在日本生長的他，基建於漫畫中的虛實，傑希康達組成了屬於自己邏輯的世界，在黏膩且赤裸的創造物裏，有時也能生產出神聖的暗黑天使。

    在錯誤以及醜陋中嗅出美感，大概是這組冰島和日本組合的合作對象想要闡述的，從第一集的'製品加工'中探索他們的思想，也可以延伸閱讀〔視覺藝術家：Jesse Kanda 上〕、〔視覺藝術家 ：Jesse Kanda 下〕。


  London based visual artist, Jesse Kanda who had worked with FKA Twigs and Arca, teamed up with Björk talking about the same atmosphere they shared.  The very first episode starting by the Iceland singer, "If I collaborate, I want connections, to be genuine, to be for real." 

  In their work in 'Vulnicura' and 'Utopia', Jesse Kanda explored himself as a director for music videos. On the album cover of  'Utopia', Kanda said "Depending on when you look at it, it can be ugly. And that's what I'm trying to do."

  Born and raised in Japan, between the fantasy and reality of manga, Jesse built an organic world on his own.  His little creatures can be naked and sticky; sometimes it can be a sacred dark angel. 

  Mistake is beautiful, and so is ugliness. From Iceland to Japan, the duo had expressed themselves and found the definition of beauty in works. Watch the video below.